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The fine lines in the surrounding foliage, each separate leaf and the rough bark of the trees are highly detailed during the daylight exteriors, and even during the many nighttime sequences, everything remains clear and visible within the darkest shadows and corners of the frame. Overall definition and resolution are noticeably sharper with better clarity in the costumes, individual hairs are more distinct and viewers can clearly make out the small objects in the background decorating the colonial homes. The differences and improvements are admittedly subtle, but they are enough for demonstrating this new transfer as winning the battle. The Patriot leads the charge onto the fields of Ultra HD with a fantastic and overall lovely HEVC H.265 encode, putting its Blu-ray counterpart on the defensive but ultimately making it retreat in defeat.

At startup, the disc goes straight to an interactive main menu that changes screens when switching between the usual options while music plays in the background. The UHD contains only the Theatrical Cut of the film whereas the BD is identical to the previous release with the 175-minute Extended Version. Inside the black, eco-vortex case with glossy slipcover, the triple-layered UHD100 disc sits comfortably opposite a Region Free, BD50 copy.

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Said code can be redeemed via, MoviesAnywhere and VUDU, giving users access to the Theatrical Cut in 1080p HD with Dolby Digital Stereo. Sony Pictures Home Entertainment brings The Patriot to 4K Ultra HD Blu-ray as a two-disc combo pack with an UltraViolet Digital Copy. Vital Disc Stats: The 4K Ultra HD Blu-ray Rather, it feels as an honest depiction of the ugliness and brutality involved, making an otherwise average melodrama mildly memorable.įor a more in-depth take on the movie, you can read our review of the Blu-ray HERE. Working with cinematographer Caleb Deschanel, the gorily-violent combat sequences are displayed with a gut-wrenching intensity where the focus is not always on the production's A-list.

Still, Emmerich does well behind the camera, balancing the histrionics with the plot's more harrowing moments, particularly the scenes of battle and Martin's talents for military tactics. As the well-known widowed hero of the French and Indian War who struggles with protecting his family, seeking vengeance and fighting against tyranny, Gibson terrifically humanizes Martin's plight to a degree that nearly becomes inspiring, making the British atrocities superfluous and excessive.

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Frankly, the movie is more a fantasy epic, history revisionism at its worst without any of the allure to fully captivate the audience.īut ignoring Robert Rodat's brazenly melodramatic script that essentially force-feeds viewers to hiss and boo at the British, the film is largely saved by Mel Gibson's compelling performance as the deeply conflicted but gallant veteran Benjamin Martin. But more importantly, they serve as poignant plot turns that further drive - or more accurately, enrage and stoke the flame of passion in - our heroes to victory and independence from the callous, villainous British monarchy. (Most notorious is a scene involving Jason Isaacs as charismatic sociopath British Colonel Tavington, Adam Baldwin as reluctant American Captain Wilkins, and a church crowded by local villagers.) Nevertheless, Emmerich demonstrates a desire to at least feel as though these events could have happened. However, the 164-minute war epic is far from historical, remotely close to accurate or even loosely based on specific events or battles. Taking a break from his usual sci-fi disaster and dystopia extravaganzas, German-born filmmaker Roland Emmerich ( Independence Day, Stargate, 2012) brought his flair for grand cinematic spectacle to the American Revolutionary War in The Patriot.